A literary meandering into the mythology of place and what a novel can be, inspired by the author's time spent at an artist residency in small-town Texas.
In his inimitable, recursive, meditative style that reads like a comedic zen koan but contains universes, a Korean cult writer recounts his time spent at an artist's and writers residency in small-town Texas. In an attempt to understand what a "true Texan should know," the author reflects on his outsider experiences in this most unique of places.
Featured as a “Book of Note” by the Athenaeum Review
"Who better than a Texas-based publisher of fiction in translation to champion an unusual work by a Korean writer, set in the Lone Star state? No-one, that’s who." ―Tony Malone
"Dispassionate, subversive, ambiguous, utterly cuckoo at times, Jung Young Moon has written a short masterwork of contemporary digression, a far distant cousin to Tristram Shandy (1759); but also a novel that acts as an antidote to our age of distraction because it takes real presence to follow the narrator’s mind, a mind that is looking to challenge the notions of fiction — to create fiction that one might hesitate to call fiction."―Splice Magazine
"Impressive fluidity... Like a lucid dream." ―Foreword Reviews
"An oddly entertaining stream of consciousness that flows out over the thirsty Lone Star State." ―Kirkus Reviews
“There are many novels by Western authors sojourning in Asia. Stories that go the other way around are as rare as hens’ teeth… Seven Samurai Swept Away in a River opens a window into a non-traditional narrative prose style.” — Asian Review of Books
“It is a slim and beautiful volume. That’s important for this particular book because this is… a piece of art. This is something that you want to hold dear and treasure.” —Read the World, Derek Maine
Praise for Vaseline Buddha:
"Reading Vaseline Buddha feels like watching a magician who explains his trick as he performs it and yet still mesmerizes you with his sleight of hand. You simultaneously enter the dream and wake from it...This resistance underpinning the entire exercise makes Jung an heir to Polish novelist Witold Gombrowicz, who understood that writing is the documentation of a dance the writer does between form and chaos." ―Tyler Malone, Los Angeles Times
“Ridiculous in the best way.” —D Magazine, Zac Crain
