Gina Arnold is an author, music journalist, and adjunct professor at the University of San Francisco, USA. She has been a writer for Rolling Stone, Spin, the Village Voice and many other publications, and is author of Liz Phair's Exile in Guyville (Bloomsbury, 2014), Half a Million Strong: Crowds and Power from Woodstock to Coachella (2018), and co-editor of Music/Video (Bloomsbury, 2017).

John Dougan is Professor in the Department of Recording Industry at Middle Tennessee State University, USA. He has published essays and reviews in Rolling Stone, Spin, All Music Guide, American Music, Journal of Popular Music Studies, Popular Music and Society, Salon, and Perfect Sound Forever. He is the author of The Who Sell Out (Bloomsbury, 2006), and The Mistakes of Yesterday, The Hopes of Tomorrow: The Story of the Prisonaires (University of Massachusetts Press, 2013).

Christine Feldman-Barrett is Senior Lecturer in the School of Humanities, Languages and Social Science at Griffith University, Australia. A youth cultural historian, she is author of "We are the Mods": A Transnational History of a Youth Subculture (2009) and A Women's History of the Beatles (Bloomsbury, 2021). She is also editor of Lost Histories of Youth Culture (2015).

Matthew Worley is Professor of modern history at the University of Reading, UK. His more recent work has concentrated on the relationship between youth culture and politics in Britain, primarily in the 1970s and 1980s. He is the author of No Future: Punk, Politics and British Youth Culture, 1976-1984 (2017) and co-founder of the Subcultures Network.